IPA

The International Phonetic Alphabet (IPA) is an alphabetic system of phonetic notation based primarily on the Latin script. It was devised by the International Phonetic Association in the late 19th century as a standardized representation of speech sounds in written form. The IPA is used by lexicographers, foreign language students and teachers, linguists, speech–language pathologists, singers, actors, constructed language creators, and translators.

The IPA is designed to represent those qualities of speech that are part of lexical (and, to a limited extent, prosodic) sounds in oral language: phones, phonemes, intonation, and the separation of words and syllables. To represent additional qualities of speech—such as tooth gnashing, lisping, and sounds made with a cleft lip and cleft palate—an extended set of symbols may be used.

Segments are transcribed by one or more IPA symbols of two basic types: letters and diacritics. For example, the sound of the English letter ⟨t⟩ may be transcribed in IPA with a single letter: [t], or with a letter plus diacritics: [t̺ʰ], depending on how precise one wishes to be. Slashes are used to signal phonemic transcription; therefore, /t/ is more abstract than either [t̺ʰ] or [t] and might refer to either, depending on the context and language.

Occasionally, letters or diacritics are added, removed, or modified by the International Phonetic Association. As of the most recent change in 2005, there are 107 segmental letters, an indefinitely large number of suprasegmental letters, 44 diacritics (not counting composites), and four extra-lexical prosodic marks in the IPA. Most of these are shown in the current IPA chart, posted below

Description
The general principle of the IPA is to provide one letter for each distinctive sound (speech segment). This means that:


 * It does not normally use combinations of letters to represent single sounds, the way English does with ⟨sh⟩, ⟨th⟩ and ⟨ng⟩, or single letters to represent multiple sounds, the way ⟨x⟩ represents /ks/ or /ɡz/ in English.
 * There are no letters that have context-dependent sound values, the way ⟨c⟩ and ⟨g⟩ in several European languages have a "hard" or "soft" pronunciation.
 * The IPA does not usually have separate letters for two sounds if no known language makes a distinction between them, a property known as "selectiveness". However, if a large number of phonemically distinct letters can be derived with a diacritic, that may be used instead.

The alphabet is designed for transcribing sounds (phones), not phonemes, though it is used for phonemic transcription as well. A few letters that did not indicate specific sounds have been retired (⟨ˇ⟩, once used for the "compound" tone of Swedish and Norwegian, and ⟨ƞ⟩, once used for the moraic nasal of Japanese), though one remains: ⟨ɧ⟩, used for the sj-sound of Swedish. When the IPA is used for phonemic transcription, the letter–sound correspondence can be rather loose. For example, ⟨c⟩ and ⟨ɟ⟩ are used in the IPA Handbook for /t͡ʃ/ and /d͡ʒ/.

Among the symbols of the IPA, 107 letters represent consonants and vowels, 31 diacritics are used to modify these, and 17 additional signs indicate suprasegmental qualities such as length, tone, stress, and intonation. These are organized into a chart; the chart displayed here is the official chart as posted at the website of the IPA.

Letter forms
The letters chosen for the IPA are meant to harmonize with the Latin alphabet. For this reason, most letters are either Latin or Greek, or modifications thereof. Some letters are neither: for example, the letter denoting the glottal stop, ⟨ʔ⟩, originally had the form of a dotless question mark, and derives from an apostrophe. A few letters, such as that of the voiced pharyngeal fricative, ⟨ʕ⟩, were inspired by other writing systems (in this case, the Arabic letter ⟨ﻉ⟩, ʿayn, via the reversed apostrophe).

Some letter forms derive from existing letters:


 * 1) The right-swinging tail, as in ⟨ʈ ɖ ɳ ɽ ʂ ʐ ɻ ɭ ⟩, indicates retroflex articulation. It originates from the hook of an r.
 * 2) The top hook, as in ⟨ɠ ɗ ɓ⟩, indicates implosion.
 * 3) Several nasal consonants are based on the form ⟨n⟩: ⟨n ɲ ɳ ŋ⟩. ⟨ɲ⟩ and ⟨ŋ⟩ derive from ligatures of gn and ng, and ⟨ɱ⟩ is an ad hoc imitation of ⟨ŋ⟩.
 * 4) Letters turned 180 degrees, such as ⟨ɐ ɔ ə ɟ ɓ ɥ ɾ ɯ ɹ ʇ ʊ ʌ ʍ ʎ⟩ (from ⟨a c e f ɡ h ᴊ m r t Ω v w y⟩), when either the original letter (e.g., ⟨ɐ ə ɹ ʇ ʍ⟩) or the turned one (e.g., ⟨ɔ ɟ ɓ ɥ ɾ ɯ ʌ ʎ⟩) is reminiscent of the target sound. This was easily done in the era of mechanical typesetting, and had the advantage of not requiring the casting of special type for IPA symbols, much as the same sorts had traditionally often been used for ⟨b⟩ and ⟨q⟩, ⟨d⟩ and ⟨p⟩, ⟨n⟩ and ⟨u⟩, ⟨6⟩ and ⟨9⟩ to reduce cost.
 * An example of a font that uses turned small-capital omega, ⟨ꭥ⟩, for the vowel ⟨ʊ⟩. The symbol had originally been a small-capital ⟨ᴜ⟩.
 * 1) Among consonant letters, the small capital letters ⟨ɢ ʜ ʟ ɴ ʀ ʁ⟩, and also ⟨ꞯ⟩ in extIPA, indicate more guttural sounds than their base letters. (⟨ʙ⟩ is a late exception.) Among vowel letters, small capitals indicate "lax" vowels. Most of the original small-cap vowel letters have been modified into more distinctive shapes (e.g. ⟨ʊ ɤ ɛ ʌ⟩), with only ⟨ɪ ʏ⟩ remaining as small capitals.

Typography and iconicity
The International Phonetic Alphabet is based on the Latin alphabet, using as few non-Latin forms as possible. The Association created the IPA so that the sound values of most consonant letters taken from the Latin alphabet would correspond to "international usage" (approximately Classical Latin). Hence, the letters ⟨b⟩, ⟨d⟩, ⟨f⟩, (hard) ⟨ɡ⟩, (non-silent) ⟨h⟩, (unaspirated) ⟨k⟩, ⟨l⟩, ⟨m⟩, ⟨n⟩, (unaspirated) ⟨p⟩, (voiceless) ⟨s⟩, (unaspirated) ⟨t⟩, ⟨v⟩, ⟨w⟩, and ⟨z⟩ have more or less the values used in English; and the vowel letters from the Latin alphabet (⟨a⟩, ⟨e⟩, ⟨i⟩, ⟨o⟩, ⟨u⟩) correspond to the (long) sound values of Latin: [i] is like the vowel in machine, [u] is as in rule, etc. Other letters, such as ⟨j⟩, ⟨r⟩, and ⟨y⟩, differ from English, but have these values in other European languages.

This inventory was extended by using small-capital and cursive forms, diacritics and rotation. There are also several symbols derived or taken from the Greek alphabet, though the sound values may differ. For example, ⟨ʋ⟩ is a vowel in Greek, but an only indirectly related consonant in the IPA. For most of these, subtly different glyph shapes have been devised for the IPA, namely ⟨ɑ⟩, ⟨ꞵ⟩, ⟨ɣ⟩, ⟨ɛ⟩, ⟨ɸ⟩, ⟨ꭓ⟩, and ⟨ʋ⟩, which are encoded in Unicode separately from their parent Greek letters, though one of them – ⟨θ⟩ – is not, while both Latin ⟨ꞵ⟩, ⟨ꭓ⟩ and Greek ⟨β⟩, ⟨χ⟩ are in common use.

The sound values of modified Latin letters can often be derived from those of the original letters. For example, letters with a rightward-facing hook at the bottom represent retroflex consonants; and small capital letters usually represent uvular consonants. Apart from the fact that certain kinds of modification to the shape of a letter generally correspond to certain kinds of modification to the sound represented, there is no way to deduce the sound represented by a symbol from its shape (as for example in Visible Speech) nor even any systematic relation between signs and the sounds they represent (as in Hangul).

Beyond the letters themselves, there are a variety of secondary symbols which aid in transcription. Diacritic marks can be combined with IPA letters to transcribe modified phonetic values or secondary articulations. There are also special symbols for suprasegmental features such as stress and tone that are often employed.

Consonants
Main article: Consonant

Pulmonic consonants
See also: IPA pulmonic consonant chart with audio

A pulmonic consonant is a consonant made by obstructing the glottis (the space between the vocal cords) or oral cavity (the mouth) and either simultaneously or subsequently letting out air from the lungs. Pulmonic consonants make up the majority of consonants in the IPA, as well as in human language. All consonants in English fall into this category.

The pulmonic consonant table, which includes most consonants, is arranged in rows that designate manner of articulation, meaning how the consonant is produced, and columns that designate place of articulation, meaning where in the vocal tract the consonant is produced. The main chart includes only consonants with a single place of articulation. Notes
 * }


 * In rows where some letters appear in pairs (the obstruents), the letter to the right represents a voiced consonant (except breathy-voiced [ɦ]). In the other rows (the sonorants), the single letter represents a voiced consonant.
 * While IPA provides a single letter for the coronal places of articulation (for all consonants but fricatives), these do not always have to be used exactly. When dealing with a particular language, the letters may be treated as specifically dental, alveolar, or post-alveolar, as appropriate for that language, without diacritics.
 * Shaded areas indicate articulations judged to be impossible.
 * The letters [β, ð, ʁ, ʕ, ʢ] are canonically voiced fricatives but may be used for approximants.
 * In many languages, such as English, [h] and [ɦ] are not actually glottal, fricatives, or approximants. Rather, they are bare phonation.
 * It is primarily the shape of the tongue rather than its position that distinguishes the fricatives [ʃ ʒ], [ɕ ʑ], and [ʂ ʐ].
 * [ʜ, ʢ] are defined as epiglottal fricatives under the "Other symbols" section in the official IPA chart, but they may be treated as trills at the same place of articulation as [ħ, ʕ] because trilling of the aryepiglottic folds typically co-occurs.
 * Some listed phones are not known to exist as phonemes in any language.

Non-pulmonic consonants
Non-pulmonic consonants are sounds whose airflow is not dependent on the lungs. These include clicks (found in the Khoisan languages and some neighboring Bantu languages of Africa), implosives (found in languages such as Sindhi, Hausa, Swahili and Vietnamese), and ejectives (found in many Amerindian and Caucasian languages). Notes
 * }


 * Clicks have traditionally been described as consisting of a forward place of articulation, commonly called the click 'type' or historically the 'influx', and a rear place of articulation, which when combined with the voicing, aspiration, nasalization, affrication, ejection, timing etc. of the click is commonly called the click 'accompaniment' or historically the 'efflux'. The IPA click letters indicate only the click type (forward articulation and release). Therefore, all clicks require two letters for proper notation: ⟨k͡ǂ, ɡ͡ǂ, ŋ͡ǂ, q͡ǂ, ɢ͡ǂ, ɴ͡ǂ⟩ etc., or with the order reversed if both the forward and rear releases are audible. The letter for the rear articulation is frequently omitted, in which case a ⟨k⟩ may usually be assumed. However, some researchers dispute the idea that clicks should be analyzed as doubly articulated, as the traditional transcription implies, and analyze the rear occlusion as solely a part of the airstream mechanism. In transcriptions of such approaches, the click letter represents both places of articulation, with the different letters representing the different click types, and diacritics are used for the elements of the accompaniment: ⟨ǂ, ǂ̬, ǂ̃⟩ etc.
 * Letters for the voiceless implosives ⟨ƥ, ƭ, ƈ, ƙ, ʠ⟩ are no longer supported by the IPA, though they remain in Unicode. Instead, the IPA typically uses the voiced equivalent with a voiceless diacritic: ⟨ɓ̥, ʛ̥⟩, etc..
 * The letter for the retroflex implosive, ⟨ᶑ ⟩, is not "explicitly IPA approved" (Handbook, p. 166), but has the expected form if such a symbol were to be approved.
 * The ejective diacritic is placed at the right-hand margin of the consonant, rather than immediately after the letter for the stop: ⟨t͜ʃʼ⟩, ⟨kʷʼ⟩. In imprecise transcription, it often stands in for a superscript glottal stop in glottalized but pulmonic sonorants, such as [mˀ], [lˀ], [wˀ], [aˀ] (also transcribable as creaky [m̰], [l̰], [w̰], [a̰]).

Affricates
Affricates and co-articulated stops are represented by two letters joined by a tie bar, either above or below the letters with no difference in meaning. Affricates are optionally represented by ligatures (e.g. ⟨ʦ, ʣ, ʧ, ʤ, ʨ, ʥ, ꭧ, ꭦ ⟩), though this is no longer official IPA usage because a great number of ligatures would be required to represent all affricates this way. Alternatively, a superscript notation for a consonant release is sometimes used to transcribe affricates, for example ⟨tˢ⟩ for [t͜s], paralleling [kˣ] ~ [k͜x]. The letters for the palatal plosives ⟨c⟩ and ⟨ɟ⟩ are often used as a convenience for [t͜ʃ] and [d͜ʒ] or similar affricates, even in official IPA publications, so they must be interpreted with care.
 * }

Co-articulated consonants
Co-articulated consonants are sounds that involve two simultaneous places of articulation (are pronounced using two parts of the vocal tract). In English, the [w] in "went" is a coarticulated consonant, being pronounced by rounding the lips and raising the back of the tongue. Similar sounds are [ʍ] and [ɥ]. In some languages, plosives can be double-articulated, for example in the name of Laurent Gbagbo. Notes


 * [ɧ], the Swedish sj-sound, is described by the IPA as a "simultaneous [ʃ] and [x]", but it is unlikely such a simultaneous fricative actually exists in any language.
 * Multiple tie bars can be used: ⟨a͡b͡c⟩ or ⟨a͜b͜c⟩. For instance, if a prenasalized stop is transcribed ⟨m͡b⟩, and a doubly articulated stop ⟨ɡ͡b⟩, then a prenasalized doubly articulated stop would be ⟨ŋ͡m͡ɡ͡b⟩
 * If a diacritic needs to be placed on or under a tie bar, the combining grapheme joiner (U+034F) needs to be used, as in [b͜͏̰də̀bdɷ̀] 'chewed' (Margi). Font support is spotty, however.