Takka

Setting and Info
I've started designing Takka with an idea in mind: a language whose orthography and phonology are clearly influenced by Uralic languages, combined with a dictionary distinctly not Uralic, even borrowing slightly from Slavic languages. It's an experiment into extreme agglutination and polysynthesis, sometimes bordering on oligosynthesis.

Consonants
The voiced and voiceless palatal variants are in free variation or dialectical allophones.

Vowel Harmony
Takka has a simple progressive vowel harmony system based on roundness. Each vowel has two variants, and there are four rules for harmony:
 * 1) In the enviroment that there is either a rounded or an unrounded vowel as the last vowel in the word and a vowel of a different type is added, rule no. 2 is applied.
 * 2) E and É, I and Í are interchangeable in harmony, while A and Á, U and Ú aren't.
 * 3) E and É and I and Í can be substituted in harmony, while only Á and Ú can be harmonised (into A and U respectively).
 * 4) Harmony is applied only to suffixes (not to infixes, compounds etc.)

Phonotactics
Takka has a simple syllable structure. The groups significant to syllable structure are Consonants and Vowels, C and V respectively. The structure is:

Other than the limitations to the length of a single syllable, no other preventions are in effect, and every consonant cluster is allowed.

Terminology
In the grammar section, I will use two methods of indicating types of letters in a suffix, namely the precise and underlying sound value of a letter.

Each miniscule letter carries its alphabetical value as indicated in the phonology section, but capital letters indicate the general type of letter, along with the vowel type.