Vandalic

Vandalic constitutes the surviving Romance speech of the North Africa based Vandal Kingdom. It is a Western Romance language, influenced strongly by Punic and other Afro-Asiatic languages spoken in the region.

''Fata i lingua Vandala a parulu uziali diθa Renu Vandala in al Africa sittintxiunali. Isti 'θi linguam Hispirrumanica, fartiminti suya nfluintxa Punica, i autras linguas Afru-Asiatitxas in a rijuni.''

/'fa.ta i 'liŋ.gwa Van.'da.la a pa.'ru.lu. u.zi.'ja.li di.ða 'ʁe:.nu van.'da.la in al Af.'ʁi.ka si.tun.ʧu.'na.li. 'is.ti ði 'liŋ.gwam ʔis.pi.ʁu.'ma.ni.ka faʁ.ti.'min.ti su.ja nflu.'in.ʧa 'pu.ni.ka, i 'au.tʁas 'liŋ.gwas af.ʁu.as.i.'at.i.ʧas. i a ʁi.'ʤu.ni./

Vowels
Vandalic native words distinguish between four primary vowels: /a e i u/. Vowel length is not phonemic; vowels are long in open syllables and short in checked, with the exception of /e/. The language is syllable-timed rather than stress-timed. One diphthong exists, /au/. Note that the vowel /e/ is always pronounced long, as if it were a diphthong; it represents proto-Vandalic /ai/.

'O' does not exist in native words; when borrowed, it is usually realized as /u/.

The sound /w/ has an uncertain status as a phoneme in Vandalic. It typically appears in the combination /gw/: guira /gwi.ʁa/ "war"; aguantu /a.gwan.tu/ "stamina, vitality".

Alphabet
Qi biθu isti parul a mutu! - "Loose lips sink ships."

Characters
The spelling of Vandalic is strongly phonemic and regular. Vandalic uses the Latin alphabet plus Ө, θita:

A B C D E F G H Ө I J K L M N (O) P Q R S T U V (W) X Y Z

The phonetic values of these characters do not strongly vary. A number of digraphs are used in the spelling as well.


 * A
 * Always /a/ or /a:/, depending on the syllable. The phonetic value of a hovers somewhere between /a/ and /æ/.


 * B
 * Always /b/


 * C
 * Realized as /k/, or /t͡ʃ/ before i or e. Vandalic redundantly uses three characters for /k/ sounds.  Before a, K is always written for /k/.  Before u, v, or i, Q is written for /k/.  Before consonants and word-finally, C is written for /k/.


 * D
 * Always /d/


 * E
 * Always /e:/. This sound cannot appear in an unstressed syllable and always represents a long vowel even in a checked syllable.


 * F
 * Always /f/


 * G
 * Always /g/


 * H
 * Always /ʔ/.


 * Ө
 * As /θ/ or /ð/. These sounds are in complementary distribution.  /θ/ appears word-initially or word-finally.  /ð/ appears between two vowels.  When the character is part of a consonant cluster, it will be voiceless if the stops in the cluster are voiceless, and voiced if they are not.


 * I
 * As /i/ or /i:/.


 * J
 * Always /d͡ʒ/. Uncommon.


 * K
 * Always /k/. Written before a; see note on C, above.  Note also that the written distinction between the usage of k and q gives rise to regular spelling variation in some adjectives with different forms for masculine and feminine gender: biluqu, biluka, "narrow".


 * L
 * Always /l/.


 * M
 * Always /m/.


 * N
 * Always /n/.


 * O
 * Not used in native words. When it appears, as U.


 * P
 * Always /p/.


 * Q
 * As /k/. Written before u, v, and i.  See note on C, above.


 * R
 * The R-sound of Vandalic is uvular /ʁ/ as in French or Danish. The trill /r/ exists for some speakers but is considered nonstandard.


 * S
 * As /s/, or /z/ between two vowels. /s/ between two vowels is written ss.


 * T
 * As /t/.


 * U
 * As a vowel, /u/ or /u:/. Sometimes realized as /w/ when occurring between a consonant and another vowel.


 * V
 * As /v/


 * W
 * Not used in native words. As /v/.


 * X
 * Always /ʃ/.


 * Y
 * Always /j/. Exclusively a consonant.


 * Z
 * As /z/, except in verb infinitives, where it is realized as /ʒ/, or /z/ if the consonant preceding the infinitive ending is x, zz, or j.

Digraphs

 * AU
 * Always /aʊ/


 * CH
 * Always /x/


 * GH
 * Always /ɣ/


 * SS
 * Always /s/


 * TX
 * Always /ʧ/


 * ZZ
 * Always /ʒ/

Historical phonology
It was noted early on in the late Roman Empire that the Latin of North Africa was strongly innovating. Augustine of Hippo observed that his Latin speaking contemporaries in Africa paid no heed to the shortness or length of Latin vowels. Graffiti from the period contain broad departures from classical orthographical norms; in several inscriptions the form oze appears for Latin hodie.

As with most other Romance languages, Vandalic is open to influences and reborrowings from Latin itself, which will nevertheless be conformed to Vandalic's own phonology and derivational processes: lungituθ "longitude".

Vowels
The Vandalic vowel system resembles the Sicilian vowel system, with one significant difference. Common Western Romance reduced the ten vowels of classical Latin /ă – ā, ĕ – ē, ĭ – ī, ŏ – ō, ŭ – ū/ to seven /a ɛ e i ɔ o u/. These seven vowels were at one point reduced to three in Proto-Vandalic:


 * Western Romance /a, ɔ/ > Proto-Vandalic */a/ HABET "he has" > avi; OSSE "bone" > assi
 * Western Romance /ɛ, e, i/ > Proto-Vandalic */i/ VERUM > viru; CENA > xina; VIRTUTEM > virtuθ
 * Western Romance /o, u/ > Proto-Vandalic */u/ HODIE > uzi; MURUM > muzzu

These changes happened to all vowels, whether stressed or unstressed. Proto-Vandalic had two diphthongs, */ai/ and */au/. Current Vandalic e represents proto-Vandalic */ai/; but /au/ is preserved:
 * mema "seawater" < *maima;
 * exa "wife" < *aiʃa;
 * ame "I loved < *amai < AMAVI

but
 * AMAVIT > * AMAUT > amau "he, she, it loved".

Consonants
''Sunu ixit a zzadibiyas sinzilas me ntinsas. Quvaθ isti bana, aguantu miθur.'' While the inherited vowels of Vulgar Latin have been substantially reduced in the number of contrasts they display in Vandalic, the same cannot be said of the consonants. The Vandalic inventory of consonant phonemes has been substantially expanded. The results of the Vulgar Latin consonants are somewhat less regular than the vowel reduction due to a number of factors, including analogy, levelling, and borrowing from other Romance languages.

One aspect of the interplay between vowels and consonants should be noted at the outset. Proto-Vandalic, like most of the other Western Romance languages, at one time added an epenthetic weak vowel before certain groups, especially those derived from Latin words in ST-, SP-, SK- ; SPATHA > Spanish espada, French épée, etc., but Vandalic spaθa. Vandalic at one time had these vowels as well. With some exceptions among shorter words (istaz, "stand) these are consistently lost. Less consistently but frequently,  unstressed vowels at the head of a word are also lost: CABALLUM > *txivalu > xvalu.  This also affects Latin prefixing words in IN-, IM-, AD-, AL- regularly, and words in DE-, EX-, AD- less consistently.  This results in a new consonant cluster in Vandalic, which are occasionally simplified, and which can alter the effect of regular phonological changes.

Stops

 * P, standing alone at the syllable, or as part of most consonant clusters, is preserved. PISCEM "fish" > pixi; PRIMERE "press" > primiz.
 * Initial PL-, CL-, FL- but not BL- regularly become Vandalic θ-: PLUVIUM "rain" > θuviu; CLAMARE "call" > θamaz; FLOREM "flower" > θuri. In proto-Vandalic the /l/ quality of all of these sounds was lost, and they became palatized to */pj-, kj, fj-/, and /bj-/.  This change can be interrupted, however, by analogy.  PLICARE "fold" > plikaz rather than **θikaz under the analogical influence of IMPLICARE "enfold" mplikaz /m̥bli.kaʒ/.
 * Between two vowels, P becomes b: LUPUM "wolf" > lubu.


 * T has a strong tendency to palatize variously to x, or z in front of an unstressed historic E or I: NATIONEM "nation" > nazun; * PETTIA "fragment" > pitxa. This process is also spread by analogy, when consonant clusters would ordinarily prevent it: CANTIONEM > kanxun; -xun is the usual reflex for the suffix -TIONEM.   When the /t/ occurs as a part of a consonant cluster, it is retaibed as /t/, even if the consonant cluster is simplified: DENS, DENTEM > dinti; NOCTEM "night" > nutti.
 * Between two vowels, T may become θ; TOTUM "whole" > tuθu.  Dissimilation and analogy can partially resist this change: ROTELLA "knee" > rudiθa; here the /t/ gets stuck at the intermediate state of /d/ to avoid **ruθiθa.  Final -t tends to get dropped outside of monosyllables.  In other positions, T is retained.


 * K (C) palatizes, almost always to x, before historic E or I: CAELUM "sky" > xilu; CENA > xina. This is also the usual outcome of -ST- in the middle of words when followed by E or I: BESTIA > bixia.
 * Between two vowels, /k/ usually becomes g. CACARE "defecate" > kagaz. This new /g/ is potentially subject to further palatalization if followed by i;  COQUINA > *CUCINA > qughina.  In the groups -ACU-, -AGU-, -OCU-, -OGU-, -UGU- it is very frequently lost: FOCUM "fire, fireplace" > fau; LACUNA "gap" > launa.
 * Elsewhere, K/C is preserved as /k/.
 * Note also the treatment of initial CL-, noted under P above.


 * QU: The /kʷ/ of words such as QUOD</SMALL> is always simplified to /k/: ka.


 * B tends to remain unchanged from the original Vulgar Latin: BONUM</SMALL> > banu, BELLUM > biθa; LABORARE</SMALL> > laburaz. Betwen two vowels, it tends to become v: BIBERE</SMALL> "drink" > biviz.  It may disappear between two vowels, similar to G below: FABULA "story" > *favula > faula; PARABOLUM "word" > *paravulu > parulu.


 * D has a strong tendency to palatize to /z/ when it precedes historic I: HODIE</SMALL> "today" > uzi DIEM "day" > ziya (with gender regularization and vowel dissimilation). In front of historic E this process is far less regular.
 * Between vowels, it usually becomes θ, the same as /t/: CALIDUM</SMALL> "warm" > kaliθu.


 * G shares much of its fate with C, above. Initially, before historic I or E it often appears as /ɣ/: GELUM "cold" > ghilu.  Non-initially, before an unstressed historic /i/ or /j/ it is likely to become zz:  HOMAGIUM "homage" ? umazzi.  As with C, it is liable to be dropped when it appears by itself between a and u: FAGUM "beech tree" > faua (with gender clarification).
 * In some words, most notably from MAGNUS and MAGIS, original /g/ became */j/: so MAGNUm "big" > */majnu/ > menu and MAGIS "more" > */majs/ > mes.

Aspirate

 * H is dropped, everywhere. HONOREM "honor" > anuri.  The written character h represents /ʔ/, which sometimes arises due to vowels in hiatus, but more frequently appears in non-Romance or recent borrowings: bahalu /ba.ʔa.lu/ "husband, lord, mister"; hutel  /ʔu.te:l/ "hotel".

Liquids

 * L is preserved initially and word-finally, but LL almost universally becomes θ, as does the group -LI- when the vowel is unstressed. SOL "sun" > sul; ANIMAL > animal, LEPOREM "rabbit" > lipuri;  HUMILITATEM > umildaθ; but FOLIUM> "leaf" > faθu, BELLUM "pretty" > biθu.


 * M is preserved initially and usually preserved medially. Word-finally, it is lost except in monosyllables.  In monosyllables, it often changes to n where it is syntactically significant, and an echo vowel follows it: SUM "I am" > sunu; CUM "with" > qunu.


 * N is preserved initially and usually preserved medially, but has a tendency to be dropped medially when it appears before another consonant in a syllable coda. NUCEM "nut" > nuxi; REMANERE</SMALL> "remain" > remaniz; but MANDUCARE "chew, eat" > maθukaz.


 * R, in the strictest sense is always lost. Generally, the sound is preserved as a uvular consonant /ʁ/, which is liable to further changes and can become zz or z, especially between vowels.  The -ARE. -ERE, -IRE of the Latin infinitive endings generally become /ʒ/, but on verbs this is written as -az or -iz rather than with zz.  The shift from /ʁ/ to /ʒ/ is usual before u, and also affects the group -RS- ; MURUM "wall" > muzzu, DORSUM "back" > dazzu.  The sound may be lost before nasal sounds: DORMIRE > dumiz.  The sound persists elsehwere: HARENA "sand" > arina; GARRIRE</SMALL> "talk" > * EXGARRARE</SMALL> > "betray" sgaraz; REGEM "king" > rey.

Fricatives

 * F is usually preserved in all positions. It is very rare word-finally in Vulgar Latin, so that does not become an issue.  FORNACE</Small> "furnace" > furnax; * NENUFAR "water lily" > ninufar.  Note also the treatment of FL-, discussed above.


 * V, /w/ in Classical Latin, becomes /v/ in the Vulgar Latin and is usually preserved. VOTUM > vuθu.  ADVENIRE "arrive" > aveniz.  The /w/ quality of the QU is consistently lost: QUARE > kazzi.


 * S is lost word-finally unless it has morphemic significance, as in the accusative plural. Medially it may become z, or be realized as /z/ in speech; the digraph ss is written to avoid that.  SAGITTA "arrow" > saghita; *<Small>ESSERE "to be" > issir.


 * Z, rare in Classical Latin, is retained as z.

Consonant and glide

 * GI-, DI- before another vowel become j: RADIUS > raju
 * CI- TI- before another vowel become x or tx. ACTIONEM "action" > atxun,
 * Initial CL- FL-, PL- all become θ PLURES FLORES "more flowers" > θuris θuris
 * LI- before another vowel becomes θ. PAPILIO "butterfly" > papiθ (with gender regularization)
 * -TRE-, -TRI- often becomes tx: PATREM, MATREM "father, mother" > patxu, matxa (with gender regularization)

Consonant clusters

 * -CT-, -PT- > tt; OCTO "eight" > attu; SEPTEM > sitti
 * -GN-</SMALL> > */ɲ/ > either ny or /jn/: compare REPUGNARE</SMALL> "repel" > ripunyaz; but occasionally MAGNA "large" > *mayna > mena.
 * -KS-, -X-, -PS- > ss: LAXARE "loosen" > lassaz
 * -LL- > θ; * ALLARE "walk" > aθaz
 * -NS- usually becomes z: MENSA "table" > miza
 * -RS- > zz; DORSUM "back" > dazzu

Phonotactics
The stressed syllable in Vandalic is very regular: These rules do not affect the placement of the accented syllables in consonant declension nouns, which add a syllable in the plural -is. They do vary the accented syllables of conjugated verbs.
 * If a word contains a syllable with e or au; that syllable is the stressed one. Otherwise:
 * If a word ends in a vowel, the stressed syllable is the next to last; and
 * If a word ends in a consonant, the final syllable is stressed.

Lexical words, as opposed to particles, prepositions, and grammatical particles, must contain at least two syllables in Vandalic.

The maximal size of a symbol is (C)CCCVCC: nstruminti /n̩stru.ˈmin.ti/ "instrument". The first consonant in such a cluster must be a nasal. Vandalic tolerates a wide variety of consonant clusters in the syllable onset: tfaraθ /'tfa:.raθ/ "splendor", θsauru /θsaʊ.ʁu/ "treasury", gdul /gdu:l/ "big", sfira /'sfi:.ʁa/ "ball".

Sandhi
Sandhi effects in Vandalic mostly affect vowels at word boundaries. Identical vowels tend to coalesce and one is dropped. Vowels in hiatus will be separated either by the insertion of h /ʔ/ or y /j/.

Nouns
The grammatical cases of Latin have generally been lost, as they have been in all the other Western Romance languages. On the other hand, it inflects nouns for number, possessed state, and indefinite state. Adjectives agree in gender and number with their nouns.

Vandalic nouns are either masculine or feminine. As in other Western romance languages, the masculine gender contains the Latin neuters as well as the masculine nouns. Most words borrowed into Vandalic become masculine.

Declensions
Vandalic nouns have five declensions, each of which will be obvious from the citation form. They are:

The vowel declensions

 * The first declension, with nouns ending in -a. These tend to be uniformly feminine.  This continues the Latin first declension directly.  Most fifth declension nouns also end up here.
 * The second declension, with nouns ending in -u. These tend to be uniformly masculine.  This continues the Latin second and fourth declensions.
 * The third declension, with nouns ending in -i or -e. These may be of either gender.  Nouns in -e exhibit a number of irregularities.  Some Latin third declension nouns, the Latin i-stems, and many that have the same number of syllables in the nominative and oblique cases, end up in this declension.  First and second declension Latin nouns in -IUS, -ÆUM, -IA, -EUS and the like also have a chance of being pressed into this declension.

The consonant declensions

 * The fourth declension, with nouns ending in -θ. These are all obligate feminines. Originally most fourth declension nouns are non-Romance.  The class was swelled by many Latin derived feminine abstract nouns in -TATEM, which generally become -taθ; and -TUTEM, -TUDINEM , both of which become -tuθ.
 * The fifth declension, with nouns ending in a consonant other than -θ. These may be of either gender.  This continues the Latin third declension nouns that dropped their final vowels.

Gender and number
The gender of most Vandalic nouns is apparent from their citation form.

Masculine nouns take the definite article a, or al if the noun begins with a vowel: a xvalu /a ʃva.lu/ "the horse"; al ilu /al i.lu/ "the god". If this article follows a vowel, it takes the form ha /ʔa/.

Feminine nouns take the definite article ya: ya xvala /ja ʃva.la/ "the mare"; ya ilaθ /ja i.laθ/ "the goddess".

All of the three vowel declensions take a plural in -s. In the two consonant declensions, the plural is almost always -is. The definite article in the plural is alternatively a or u: a xvalus "the horses", u xvalas "the mares", u taliθis "the girls" a agafis "the wings". Nouns in -e have plurals in -as: a pile "the cap" > a pilas.

The genitive construction (possessed or governed state)
Ulam a supliz - "Go to Hell!" The genitive inflection of Vandalic is essentially a possessed, rather than a possessive case. The marked form is the possessed noun rather than the possessor. Where Latin says equus patri, "the father's horse", Vandalic marks the horse rather than the father: xval a patxu (horse- POSSESSED the father), "the horse of the father". The possessor always takes a definite article in the construction, even if it is a personal name: xval a Piθru "Peter's horse". The possessed form may or may not take a definite article.

This construction works like a noun case, but adjectives modifying the noun do not change form to match it. It translates many adjectives formed from nouns, and as such Vandalic is fairly poor in derived adjectives: ulam ya viθa "eternal life", literally "an eternity of life"; tfarat ya ntinxun "glorious purpose", literally "glory of purpose."

Rules for the formation of the possessed case are as follows:


 * In the first declension, drop the -a:
 * exa "wife" > ex: ex a bahalu /eːʃ a ba.ʔa.lu/ "the husband's wife".


 * In the second declension, drop the -u:
 * xvalu > xval: xval a Piθru /ʃval a pi.θʁu/ "Peter's horse''.


 * In the third declensionm, drop -i. For the few nouns in -e, turn that to -a:
 * dinti > dint; dint ya xvala /dint ja ʃva.la/ "the mare's tooth".
 * pile > pila; pila ya duzint /pi.la ja du.zint/ "the professor's (f) cap"; pila ha duzint /pi.la ʔa du.zint/ "the professor's (m) cap"


 * In the fourth declension, change -θ to -t:
 * beθ "house" > bet; bet ya exa /be:t ja e:ʃa/ "the wife's house"


 * In the fifth declension, no change:
 * sul "sun" > sul: sul a planiθi /sul a pla.ni.θi/ "the planet's sun".

Note also that the construction can be used with infinitives as a verbal noun. The infinitive takes a definite article when used in this construction as well: ":xval a yagaz /ʃval a ja.gaʒ/ "a horse for hunting".

The indefinite state
Ziyam i uzi - "No time like the present!" The indefinite construction affects the first, second, and third declensions of nouns. Vandalic allows three levels of definiteness. The first is definite, a noun appears with the definite articles a (m. sing, all plurals) or ya (f. sing). The definite article conveys less syntactical information than in some other Romance language.

The first level of indefiniteness is defined by the absence of the definite article. Since the definite article is required by syntax in some constructions, it is not always available.

The second level of indefiniteness is the inflected indefinite. In all of the vowel stems, the first, second, and third declensions, it is inflected the same way: by adding -m to the vowel stem. It can appear with the definite article and keep indefinite meanings, and will appear with the article when required by syntax. The meaning of the suffix is somewhat stronger than an English definite, and is often best translated as "some kind of" or "a ____ of some sort or another".


 * (ya) ziyam - "some day"
 * (a) xvalum - "some kind of horse"
 * (ya) nuttim - "one of these nights"

Plural potentiality is indicated by the suffix itself, and nouns so modified generally do not take plurals. One exception is pirsunu, "person", which distinguishes a singular pirsunum "someone or another" and pirsunumis "some people".

Diminutives and colloquial variants
A variety of suffixes can be added to nouns to create diminutives and other colloquial variants. Some of the suffixes include:


 * -iθa, -iθu
 * This is the diminutive suffix.


 * -atxa, atxu
 * This is a pejorative suffix.


 * -una, -unu
 * This suffix suggests that whatever the word describes is unusually large.

The suffixes change their form to match the gender of the original noun. Some of the words modified by the suffixes have been lexicalized: auxiθu, "bird", represents AVICELLUM</SMALL> from AVIS. Likewise patxunu "patron, benefactor" comes from patxu "father" + -unu.

Adjectives
Adjectives agree with the nouns they modify in gender and number, but not in "case"; adjectives do not take the inflections for the indefinite or the possessed states of the noun.

A group of nouns of different genders modified by a single adjective defaults to the masculine: a ix i ya ixiθ raqius "the thin man and woman".

Declensions
Adjectives must agree with the nouns they modify in gender and number. As a result, many adjectives are declined in multiple declensions. These are the patterns they exhibit:
 * I - II adjectives. These adjectives use first declension forms for the feminine, and second declension for the masculine: siqu, sika "dry".  Past participles decline under this category: ligiθa, ligiθu "tied"
 * III - III adjectives. These adjectives appear invariant, because the same third declension form gets used for both genders: livi, livi "light".  Present participles decline under this category: maθukanti "eating".
 * V - V adjectives. These adjectives have fifth declension forms in both masculine and feminine: reyal, reyal "royal"; uchid, uchid "unique".
 * V - IV adjectives. These adjectives have fifth declension forms in the masculine, and fourth declension forms in the feminine: gdul, gduliθ "big, strong".
 * V - I adjectives. These adjectives have fifth declension forms in the masculine, and first declension forms in the feminine: qudix, qudixa "holy".

Comparison
Most adjectives compared by the comparative particle θus, and add the definite article (y)a θus to form the comparative: kaliθu "warm", θus kaliθu "warmer", a θus kaliθu "warmest".

Some common adjectives preserve analytic forms from Latin:
 * banu "good"; miθur "better", atimu "best"
 * malu "bad"; piθur "worst", pissimu "worst"
 * menu "big"; mijur "bigger", massimu "biggest"
 * parvu "small"; pijur "smaller"; but a θus parvu "smallest"

Adverbs
Just about any adjective can be turned into an adverb by adding the suffix -minti to the feminine singular form. The handful of fourth declension adjectives ending in -θ add an a to the end: tuθa > tuθaminti "totally"; livi > liviminti "lightly"; gduliθ > gduliθaminti "hugely".

Personal pronouns
* Note that the usage of tu and vaiz in old fashioned or prescriptive Vandalic is governed by social status as well as number, and vaiz is the traditional form of address to strangers. Tu has gained ground at its expense, however. In very old fashioned Vandalic, vaiz also takes a third person plural verb; this is no longer generally observed.

Demonstratives
All of these forms tend to lose their leading i when they follow a vowel.

Verbs
Al qi sgara nuθa pitaθ The phonological changes that took place between Vulgar Latin and Proto-Vandalic tended to flatten some of the distinctions in verb inflections. As such Vandalic does not preserve some of the distinctions that generally remain in other Romance languages. The perfect tense, which in the first declension regularly was formed with an -AV- suffix, merges with the imperfect tense formed with an -AB- suffix.

Regular verbs in Vandalic fall into two conjugations. The first conjugation continues the Latin first conjugation in -ARE. The second conjugation continues the Latin second and third conjugations in -ERE, -IRE The second conjugation contains a subtype that differs only in the first person singular and third person plural: sabiz "know" has sabiyu rather than **sabu, and sabiyun rather than sabin.

Regular verbs: first conjugation: amaz ("to love")

 * Infinitive: amaz
 * Present participle: amanti
 * Past participle: amaθu, amaθa

Irregular 1st conjugation verb: maθukaz (to eat)
Most verbs in -Vkaz are conjugated the same way.


 * Infinitive: maθukaz
 * Present participle: maθuqanti
 * Past participle: maθuqaθu, maθuqaθa

Regular verbs: second conjugation, type A: ligiz, "to bind"

 * Infinitive: ligiz
 * Present participle: liginti
 * Past participle: ligiθu, ligiθa

Regular verbs: second conjugation, type B: sabiz, "to know"

 * Infinitive: sabiz
 * Present participle: sabinti
 * Past participle: sabuθu, sabuθa

Irregular 2d. conjugation verb: duxiz ("to lead, to teach")
Most verbs in -xiz follow this pattern.


 * Infinitive: duxiz
 * Present participle: duxinti
 * Past participle: duxiθu, duxiθa

Irregular 2d. conjugation verb: faxiz ("to make")

 * Infinitive: faxiz
 * Present participle: faxinti
 * Past participle: fatu, fata

Irregular 2d. conjugation verb: mutiz ("to die")
Like aθaz, this is a suppletive verb. It represents two roots: Latin MORI "die", which became * MORIRE in Vulgar Latin; and the Punic roots mut / muθ and maviθ, "to die" and "death".


 * Infinitive: mutiz
 * Present participle: muzzinti
 * Past participle: muttu, mutta

Irregular verb: issiz (to be)
This verb has different forms based on whether it is used as a lexical verb or as an auxiliary.

Irregular verb: aviz (to have)
This verb has different forms when used as an auxiliary and when used as a lexical verb


 * Infinitive: aviz
 * Present participle: avinti
 * Past participle: aviθu, aviθa

Irregular verb: aθaz ("to go")
This contains suppletive forms from several original verbs, including VADARE, IRE</SMALL> and *ALLARE</SMALL>.


 * Infinitive: aθaz
 * Present participle: aθanti
 * Past participle: vadiθu, vadiθa

Irregular verb: vuliz ("to want, to want to, to be going to")
The verbs mesvuliz, "prefer", and nivuliz "to not want", are also conjugated according to this pattern.


 * Infinitive: vuliz
 * Present participle: vulinti
 * Past participle: vultu, vulta

Syntax
Vandalic is a pro-drop language. Subject pronouns are always optional.

Prepositions: combining forms and clitics
Supina diya maviθ. A number of common prepositions have combining forms and clitics. Some also have altered forms when combined with the definite articles.


 * a < AD "at, to, towards"
 * ami, ati "to me, to you"; aθa, aya, alu ("at the" + articles, masculine, feminine, plural.")


 * anti < ANTE "before"
 * antiθa, antiya, antilu ("before the" + articles, masculine, feminine, plural.")


 * atti < ? "until"
 * attiθa, attiya, attilu ("until the" + articles, masculine, feminine, plural."); attiθa riturnu "goodbye".


 * di < DE "of, from"
 * dimi, diti "from me, from you"; diθa, diya, dilu ("from the" + articles, masculine, feminine, plural.")


 * in "in, on"
 * immi, inti "in me, in you''


 * pur: < PER, PRO* "for"
 * purθa, purya, purlu ("for the" + articles, masculine, feminine, plural.")


 * qunu < CUM "with"
 * miqun, tiqun, navisqun, vaisqun "with me, with you, with us, with you (pl.)"; quna, qunya, quna ("with the" + articles, masculine, feminine, plural).


 * sin < SINE "without"
 * simmi, sinti "without me, without you"

Other prepositions include:


 * dibaxu < * DE BASSO "beneath, underneath"
 * dipusti < *DE POST DE "after, following"
 * indri < INTER "between, among"
 * quntra CONTRA "against"
 * su < SUB "under, beneath"
 * sulla < SUPER ILLA "over, upon"

Note also these idioms:


 * a kapu di, "ahead of"
 * a qulum (a/ya/u), "at a dead end, done with" the noun following.
 * fazi a, "towards, facing"
 * kaθru a "across from"
 * prisqu a "close to, almost as far as"
 * pur a, "in order to"
 * purθi, "for that reason, therefore, so"
 * qulu di, "facing away from, behind, opposite"
 * quntra di, "against, opposing"
 * quran di or qurandi, "in front of"
 * siqun di, "according to"
 * supina di, "on penalty of"
 * tras di or tras a, "behind, after"
 * usc a or uska, "as far as"

These will take the clitics and combining forms of the simple prepositions they end with.

The noun phrase
Adjectives may follow or precede the nouns they modify. These positions are syntactically meaningful. The adjective second position is the default. Adjectives so placed are descriptive and specific. Adjectives preceding nouns are rhetorical or emphatic: banu vinum biyanqu "a good white wine".

Note also that Vandalic allows noun phrases in the possessed construction to substitute for derived adjectives: Pisaθu sunu di tfarat ya ntinxun: "I am burdened with glorious purpose"; rather than the derived adjective "glorious", Vandalic translates that as "glory" (tfaraθ, f.) "of purpose".

The verb phrase
In addition to the conjugated tenses, Vandalic verbs have a number of compound tenses.

Participles: compound tenses and passive constructions
A passive construction uses the past participle and issiz:


 * duqu "I teach" > duxiθu su "I am taught". The full range of passive tenses and subjunctive forms is formed with the appropriate tenses of issiz.

A present progressive tense is likewise formed with the present participle:


 * duxinti su "I am teaching"
 * duxinti fui "I was teaching"
 * duxinti sire "I will be teaching"

This construction is used much less frequently than in English.

Various past imperfect tenses is formed using aviz plus participles:


 * duxe "I taught" > he duxiθu "I have taught";
 * avue duxiθu "I had taught"
 * avire duxiθu "I will have taught"

In constructions using aviz and a past participle, note that the participle agrees in gender with the direct object, if there is one:


 * a duzint ha duxiθa ya fiθa /a du.ˈzint ʔa du.ˈʃi.ða ja ˈfi.ða/ - "the professor (m) has taught (f) the daughter (f)"

In earlier Vandalic, intransitive verbs were conjugated in the compound past tenses with issiz rather than aviz: viniz "to come"; **sunu vinuθu "I am come". This usage is archaic in current Vandalic and occurs only in a number of proverbs and fossil idioms.

The clitic queue
Iqu ilasma, digau "clitic". Word order in Vandalic is never more fixed than among the clitic pronouns and adverbial particles of the verb. In indicative and subjunctive sentences, all clitics immediately precede the verb. In imperative sentences, direct and indirect object pronoun clitics follow the verb. The usual order is:


 * Uskam                           mi                           θu                            nu                            dunau
 * ADVERBIAL PARTICLE - INDIRECT OBJECT - DIRECT OBJECT - NEGATIVE PARTICLE - HEAD VERB
 * "He/she did not ever give it to me."

But, in imperative sentences, the object clitics follow the verb: Duna mi θu: "give it to me". "Adverbial particles" are words that modify verbs that are not derived from adjectives using the adverb suffix -minti. Adverbs in -minti are more freely relocatable and can appear after the verb or before the queue of clitic pronouns and particles.

Vocabulary
Pisaθu sunu di tfarat ya ntinxun.

John 3:16
Pirqi Ilu a mundu tantu amau, q'si a Banu su dunau, al unighiniθu, affini s' ci qiqunc criθinti innilu ni halaqira nuskam, me avira ulam ya viθa.

/piʁ.ki i.lu a mun.du tan.tu a.mau, ksi a ba.nu su du.nau al u.ni.ɣi.ni.θu, a.fi.ni.sʧi ki.kuŋk kʁi.ðin.ti i.ni.lu ni ʔa.la.ki.ʁa nus.kam, me: a.vi.ʁa u.lam ja vi.ða/

The Lord's Prayer
Patxu nastru, qi 's in a xilu, si santifikaθu tu xim; vini tu renu, si fata vuluntaθ tua sulla tira aqusi in a xilu.

A nuvi duna ha pani nastru qutidianu i a nuvi pirduna amartiyas nastras aqusi pirdunamu 'θus amartinti quntra di nuvi. I nivuli a nu duxiz in ya tintaxun sidi livera nu z'a malu.

Qindi Tus istu a Renu, i ya Pudistaθ, i ya Tfaraθ in ulam, amin.

/'pa.tʃu nas.tʁu, ki sin a 'ʃi.lu si san.ti.fi.'ka.ðu tu ʃim 'vi.ni tu 'ʁe:nu si fa.ta vu.'lun.taθ 'tu.a 'su.la 'ti.ʁa a.'ku.si in a 'ʃi.lu

a. 'nu.vi 'du.na ʔa 'pa.ni 'nas.tʁu ku.ti.di.'ja.nu i a 'nu.vi piʁ.'du.na ʔam.ar.'ti.jas 'nas.tʁas a.'ku.si piʁ.du.'na.mu θus am.ar.'tin'ti 'kun.tʁa di 'nu.vi i ni.'vu.'i ja nu 'du.ʃiz i ja tin.ta.'ʃun 'si.di li.'ve.ʁa nuz a 'ma.lu

'kin.di tus 'is.tu a 'ʁe:.na i a pu.dis.'taθ i ja tfa.'ʁaθ in u.'lam a.'min/

The North Wind and the Sun
Vint a Sittintxiunali i a Sul disputun di kali a du qi sun a mes farti, qunu, dripinti, pasau vaghantim in amfi a kapu. Si qunsfirun, qi iθi qi si a primizzu qi qugi a vaghanti a difixunaz a kapa sa, sira a mes farti. Birixtau Vint a Sittintxiunali a xufaz qunu mena furia: siθi θi sulaminti qugi a xufaθu q'a vaghanti a sa kapa mes pruxanu tiniz; kandu zistau Vint a Sittintxiunali a xufaz. A Sul briθau qunu tuθu sa tfaraθ, i statiminti kap a vaghanti fui difixunaθu. Si tal qunuxun ki fui Sul a mes farti.

Prayer of St. Francis
O Sinyuri, qi faxis mi nstrumint ya paxi tua.

V'isti udiyu, qi purtim amuri, v'isti ufinsa, pirdunu, v'isti partinza, uchidaθ, v'isti dubiyu, fidi, v'isti iruri, virtaθ, v'isti dispirtaθ, ispirantxa, v'isti tinivri, luxi v'isti txistaθ, gaudi.

Xil a Mestru, qi dunis ami: ni sim qunsulaθu, sivi qi qunsulim, ni sim kapistu, sivi qi kapizzim, ni sim amaθu, sivi qi amim.

Qindi pir dunanti, rixivimu; pir pirdunanti, pirdunaθus sumu; pir maviθ ghiniθu sumu in ulam ya viθa.

Gisela's speech to Rollo
Ni mportanti kadunqi dixi a patxu miu, neam bixia issa spuzire. Sunu prinxipiss a sangu, ni zunit a vinditaz. Mesvulu qi sim vivaminti qumbrulaθa, qi duraz a causa 'ssa di manum su mpuniz sulla mi. Өui, isti paganum suxu. Purθi, nifex avi nuθu. Isti piθur diθa bixias di kampu. Mesvulu a donaz ya biθuli iya virtuθ mias al qanim θus vili k'al pitx issa ha karni kaliθu. Өui, mi ripunya. Өui, mi qugi prisqu a vumitaz.

Tarot cards

 * U Fallu
 * 1) A Muntimbanqu
 * 2) Ya Papissa
 * 3) Ya MpiratriӨ
 * 4) U Impraduri
 * 5) A Papa
 * 6) Al Amanti
 * 7) A Karu
 * 8) YustiӨ
 * 9) Al Irmitu
 * 10) Rat ya Furtuna
 * 11) Fartizza
 * 12) SupindiӨum
 * 13) (MaviӨ)
 * 14) Timprintxa
 * 15) A Zzaulu
 * 16) Il ya turri
 * 17) U StiӨas
 * 18) Ya Luna
 * 19) A Sul
 * 20) Ya Sufitxa
 * 21) A Mundu