Xitheria Note

This Song Note was created by Augusta21, and has made its debut in two different worlds and settings. In the world of Ari'Vecielm, it is one of the notes that is invented by Altheumelia herself. In another series and universe known as Pantha Rhei, a girl named Althaea is the creator of it.

Grammar
Each dialect has its own and unique phonation and phonation of letters, and Xitheria is no exception to this. Below are a list of the phonation (sound) of the letters of the language.

H, F, B, L, M, N, P, K, J, W, Y, S, D, T, V and R have the normal English sounds, and therefore are excused from the list.

Concept Sounds (CS)
As you can see above, there is both the informal and formal cases. The reason for the two cases is so that the singer can express the status in society when using the Note. They usually have hidden meanings.

ian (I am neutral, I am equal like everybody else)

Modifications
You did notice the articles, yes? Articles are usually part of grammar in all languages, though some languages don't have anything to represent articles. There are 5 types of articles: Singular Definite, Singular Indefinite, Partitive, Plural Definite and Plural Indefinite.

Singular Definite is when referring to a single object. "the" is an example of a Singular Definite Article, and is also a Plural Definite Article, because it implies that the object/subject referred to is a subject or something that is important.

Sentence Structure
Xitheria Note usually follows a SVOC or SVO form with "I" as the default subject, but it can written in other forms, like VSO or VOS. The sentence usually goes like this: (E.1)/(E.2)=(E.3):/:(xxx)>>(yyy)->{(zzz)}/: (E.)- Emote(s) (xxx)- Sentence (yyy)- Energy Flow Symbol (zzz)- Energy Source That is just the natural form of the dialect. Xitheria has more forms of grammar structure than one.

Eingeist Protocol
Xc::[EI_P]=(Full name of singer)>>(server name)/; {->} {protocol code}<=>{protocol code No. 2}=> 59147591920 -> 00100011 The Eingeist Protocol is a structure used when switching energy or system protocols between two targets, which are the singer and the other. The name Eingeist is German for "One Soul".

Incioris Protocol
The Incioris Protocol is a protocol sentence form used optionally in songs as a way of enhancing and defining the song's power and functions more clearly and sharply, giving the song a much more accurate and powerful edge and level of intensity, but it also comes with the fact that by using this protocol in the song, the singer will feel a drain of energy. The more targets, energy sources, or commands in the song, the more energy is taken and used to perform the song's power and functions. hhh zzz:AAA-BBB_CCC.EEE//YYY_XXX::(TD)_ID::(yyyyyy)>>(xxxxxx)>>(nnnnnn)_=->(uuuuuu)

1st Stage: Energy Flow Statement (hhh)

 * (@=>)- Pronounced as "rishari". It is the most basic and simplest of all Flow Statements. It merely represents the term of "singer -> target", and things like that.
 * (#\>>)- Pronounced as "lishora", it allows the singer's energy to enter the target and pilfer/alter his/her/its mind, program or data.

2nd Stage: Emotion State (zzz)
In the 2nd Stage, it is easy to form the Emotion Statement. You can either use the Arlesong Emotion Sounds or the Xitheria Emotion Sounds.

4th Stage: Song Server Name/Source of Energy (BBB)
If the Song is from a Song Server, that all that has to be done is place the Server's name into there. However, if it is not from the Servers, then it must be described how, where and what it is.

5th, 6th and 7th Stage (CCC, EEE and YYY)
The 5th, 6th and 7th Stages are easy enough. The 5th only requires the full name of the song (e.g. EXIM::PSYCHONOMIA). The 6th Stage is the same as the latter if the target has a name; if not, then use words either from the Xitheria, Clusternia, Neonova or Arlesong Notes. The same rule applies to the 7th Stage, which is basically a command. English commands can be used, but that will in turn reduce the song's power a fairy level. Therefore, it is best advised to use words from the 4 notes mentioned before to achieve good results. Also, keep in mind that the more commands, the energy is used.

12th Stage: Name of the Singer (nnnnnn)
The 11th Stage requires the singer's name in order to execute the song with the singer's authority. This is not optional. It must be done, because of 3 reasons. 1, so that Augusta Ciela can identify the person who is using the Xitheria Note for the song. 2, so that it can register the singer, allowing the server to execute protocols according to the singer's will. And 3, so that Augusta Ciela can scan the singer using their name to ensure that he or she is not attempting to hack into the server's systems or that the singer is compatible with the song and the amount of energy. If this is not done, the server will initiate a firewall connecting to the singer and his/her song, reducing the song's energy power output dramatically. Normal full names or Hymn Names can be used.

Energy Sources
Energy sources are usually depicted in sentences and statements, but can also be excluded from the sentence if the sentence itself doesn't invoke/require any energy. They are used well in succession with the 'CLS' command, but can also be used for others.

Levels of Command
Now, let's go on to the second level. You have noticed the "(---)" part between the letter behind them and the small letter after them, yes? That part is a bank where you would put the level of the action. That is to say, what type of action and effect the energy will have depending on the number you place in the bank. For example:

{Hz155UA} (hez-aria-ra) (I input the HzW Formula and the Command with the Superscript Code 155U! I enter the Command: TELEPATHY/CONNECTION!)

The formula now says that Hz-Waves are being used for the song's energy, and the superscript part, "155U". HzW in "155U" falls in the command category of "Telepathy/Connection". To put it in simple words, HzW is being used to invoke Telepathy/Connection.

Numerals
Examples:

200 is spoken as "biace". 1233- millia biace tode dri

Origin of words
Most of the words that this dialect use are derived/come from Telugu, Amharic, Georgian, Greek, Myanmar, Russian, Xhosa, Tajik and Thai origins. Some others are from Chinese. The Component Verbs are mainly from Hmong.