The Xitheria Note was created by Raciela181, and has made its debut in two different worlds and settings. In the world of Ari'Vecielm, it is one of the notes that is invented by Altheumelia herself. In another series and universe known as Pantha Rhei, a girl named Althaea is the creator of it.


Alternate History- Altheumelia[]

The dialect was created by Altheumelia Exeli Precielm as one of her projects.
Using the inhabitable colony satellite she created with Song Magic, Ethesecta, she created and installed Xitheria's Cielaserver into Ethesecta, turning the said into also a Server Satellite. The dialect was created using several elements from Clusternia Note, Arlesong Note and programming languages like Tek Riafa and REON-4213, and became the main dialect for the Genom, --the children born by her subconsciousness and unconscious feelings, --of Ethesecta, the human refugees that Altheumelia took under her wing, and for the organization she founded alongside several friends, --the Alixirum, -- to utilize for their Song Magic while Synchronized to Exapico and Amuelia through Ethesecta.


Each dialect has its own and unique phonation and phonation of letters, and Xitheria is no exception to this. Below are a list of the phonation of the letters of the language, and their IPAs are based on the normal version. It is heavily influenced by German, Japanese, Hmong, Myanmar (Burmese), Shan and Chinese phonology.

Note: There will be several phonologies of a letter/cluster in order to enable further understanding. It may be proven more helpful if one listens to the sounds of each IPA letter.


Form IPA Note
a [ʌ, a~ä, ɑ] Its pronunciation is the same as the Japanese 'a' sound, like an 'ah'.
aa [æ] As in "and".
ae / ai / ay [eɪ~ei, ɛi~ɛɪ] Has the same pronunciation as the Japanese 'ei' sound.
aer / ee [ɛə~ɛəʴ~ɛəɹ, ɛː~ɛːʴ~ɛːɹ] Has an extended 'e' sound, like in "air".
ao / ow [ʌu~ʌɯ, aɯ~au, ɑu~ɑɯ, aʊ, äu~äɯ, ʌʊ] This sound is mostly apparent in the 'a' when it is before a 'l' that has a consonant after it, or if the 'l' is a final letter of the world.
au / aw / oo / or [ɔː~ɔːʴ~ɔːɹ] Has an extended 'o' sound. If it is at the end of the word, the 'r' part is faintly omitted.
e [ɛ~e] Its pronunciation is the same as the Japanese 'e' sound, like an 'eh'.
ea [ɪʲʌ, ɪʲɑ, ɪʲä~ɪʲa]
ei / ey [aɪ~ai, ʌi~ʌɪ, ɑɪ~ɑi, äi~äɪ] Pronounced as a Japanese 'ai' sound. This type of cluster with such a sound can be found in German.
er / uh [ə~ɘ]
i [ɪ~i] Its pronunciation is the same as the Japanese 'i' sound.
ia / ya Pronounced as a 'ya' sound.
ie / ye Pronounced as a 'ye' sound.
ii / iy / yi [ɪː~iː]
io / yo Pronounced as a 'yo' sound.
iu / yu [ɨ] Pronounced as a 'yu' sound.
o [ɔ, ɒ, o] Its pronunciation is the same as the Japanese 'o' sound, like an 'oh'.
oe / ou [ɔɯ~ɔu, ɒu~ɒɯ, oʊ]
oi / oy [ɔɪ~ɔi, oi~oɪ, ɒɪ~ɒi]
u [ʊ, ɯ~u] Its pronunciation is the same as the Japanese 'u' sound, like an 'oo'.
ua / wa
ue / we
ui / wi
uo / wo [ʷo, ᵚo~ᵘo, ᶷo]
uu [uː]


Form IPA Note
b [b]
c [k] The 'k' sound is the letter's default sound. It also has this sound when at the end of a word, or if preceding 'a', 'o' or 'u'. As in "call".
[s~c] The 's' sound is only omitted if the 'c' precedes 'i' or 'e'. As in "cell".
ch / xy [ʧ͡ʰ~ʧ] Has the 'ch' sound as the default sound.
[k] The cluster is pronounced as a 'k' sound if it is positioned before 'r' or 'l'.
d [d̪~ɖ~d]
dh [ð] Is omitted as a hard 'th', or just as a normal 'd' with an aspiration sound.
dj / ds / j / z [ʤ~ʥ] Pronounced as a 'j' sound. As in "jail".
dl [dᵋl~dᵚl~dᶤl] Pronounced as a fast 'del'. Since the 'e' part between 'd' and 'l' is omitted partly as a semivowel, the sound varies.
dz [ʥ] Default sound of the cluster, omitted if the cluster is a medial or final of a word.
[ʣ] This sound is omitted only if the cluster is the initial of a word.
f [f]
g [g]
gh [ɣ~x]
hc [sʰ] Its phonology is basically the same as the Shan သ (s).
h [h]
hk [hᶤk]
hl [l̥] Its phonology is basically the same as the Myanmar လှ (hl), which is basically a voiceless 'l' sound.
hm / mh [m̥] Its phonology is basically the same as the Myanmar မှ (hm), which is basically a voiceless 'm' sound.
hn [n̥] Its phonology is basically the same as the Myanmar နှ (hn), which is basically a voiceless 'n' sound.
hp [pʰ] Its phonology is basically the same as the Myanmar ဖ (ph).
ht [tʰ] Its phonology is basically the same as the Myanmar ထ (th).
k [k]
kh / qh [kʰ~x]
l [ɭ~l]
lh [lᵚh~lᵊh~lᶺh] Pronounced as a fast 'luh'. The 'u' part sound omitted between the 'l' and 'h' is spoken partly as a semivowel, which can make its sound vary from /ə/, /ʌ/ and /ɯ/.
m [m~ɱ]
n [n]
ng [ŋ~ɴ]
nh [ɲ]
p [p]
ph / th [θ] Pronounced softly, which makes the sound alike to 'f'.
q [kʷ, kᵚ~kᵘ, kᶷ] Like in "queen".
r [ɹ] The letter is pronounced as a normal 'r' sound.
rr [r~ʀ] The cluster is pronounced as trill alveolar 'r', meaning that the 'r' has a sound akin to purring. This is made possible by holding the tongue to the roof of the mouth and breathing out the 'r' sound.
s [s]
sh / zh [ʃ~ʒ~ʂ] Has a 'sh' sound.
sj [sʤ~zʤ]
t [t~ʈ~t̪]
ts [ʦ] Has the same pronunciation of the Japanese 'ts' sound.
tsh [ʨʰ]
tx [t͡z] Has a 'ts' sound.
txh [t͡zʰ] Has a 'ts' sound with an aspirated 'h' sound.
v [ʋ] The sound is pronounced between 'w' and 'v'. The only exceptions to this are the pronouns.
vh [v~β] Pronounced as a normal 'v'.
w [w]
x [ks~ks] This sound is the letter's default sound, and is omitted if the letter is medial or final.
[s] This sound is omitted only if the letter is initial.
xh / xsh [kʃ~ᵏʃ, kʂ~ᵏʂ, kʒ~ᵏʒ, kɕ~ᵏɕ] This sound is omitted only if the cluster is medial or final, and is the default sound of the cluster.
[ʃ~ʒ~ç~ɕ] This sound is omitted only if the cluster is initial.
y [j~ʝ]
yh [jᵚh]
zj [ʤɤˀ]
zz [z] Pronounced as a normal 'z'.

Note: The IPAs that have tildes (~) in them indicate that the sound can vary from letter, depending on how the speaker/singer wishes to pronounced the letters and clusters.


The Xitheria Note follows a simple sentence structure that is read from left to right like English. It is first begun with the Emotion Bank, --which consists of 3 elements: intensity, emotion and the desirability of the emotion, -- that is separated from the rest of the sentence with a ":/:". Here is the basis for the sentence structure:

(lv.1)/(lv.2)=(lv.3):/: (sentence) >>CLS->{(energy source)}/:
(emotions: Intensity->emotion->desirability)
(sentence structure: usually can be normal English structure)

You also notice the bank that says 'energy source', yes? That is the bank that will describe the type of energy being used by the song, and the type of function it will perform, but more will be shown about it later.

Main Elements[]


1st POV Emotion State[]

As always, the default subject is set as 1st POV (I, me) when the Emotion Bank is used. Emotion Banks can be used at the start of a sentence, and are the main feature of the dialect's emotional definition and emphasis. It consists of 3 elements: Intensity, emotion, and desirability.

Lv. 1: Intensity Lv. 2: Emotion Lv. 3: Desirability
  • acri- Very much
  • anim- Presence of mind
  • dri- Intentional
  • imed- Absence of emotion
  • ira- Hard to define
  • kuv- Denial/Refusal
  • lom- A little
  • lub- Overload
  • med- Fairly
  • nws- Execution State
  • psi- Trance-like state
  • tais- Non-existent
  • uas- Unconsciously
  • achero- Pain, agony
  • ajecto- Anger, rage
  • amie- Love
  • aniska- Spiritualism
  • aquel- Uncaring, selfishness, ego
  • coryt- Despair, depressed
  • elpha- Hope
  • ethia- Empathy, compassion
  • fes- Happiness, joy
  • gejir- Wishful
  • harixa- Harmony, pacifism
  • ijud- Justice, righteous
  • lio- Loss of direction
  • logos- Wisdom
  • nil- Nothingness
  • niri- Anger, righteous anger, divine justice
  • nje- Independent
  • pathos- Mixed emotions
  • phidei- Fear, terror
  • rajel- insanity, cruelty
  • rell- Concentration, focus
  • solit- Sadness, misery
  • unso- Loneliness
  • valis- Courage, bravery
  • e- (Normal)
  • etea- I want this to last eternally
  • ib- I accept this upon insanity
  • li- Doesn't matter
  • makv- I am ashamed that I feel like this
  • mu- I don't want to go back to how I was before
  • ni- I don't care what happens to me
  • nu- I want this to end soon/now
  • pira- Doesn't matter, I'll accept the current situation
  • ranse- I must maintain this feeling
  • ua- I must merge with what makes me feel like this
  • ye- I want this to last
  • xa- I must protect/help what makes me feel like this
  • xws- I must stop/destroy what makes me feel like this
Subjective/3rd POV Emotion State[]

(S[xxx]H[yyy]D[zzz])=> :/: (sentence)

IPA (xxx) (yyy) (zzz)
0 Nothingness, nil, absence of emotion. Protective, wanting to protect others that are beloved, courage, valiant nature, bravery, heroic emotions. God-like sentience, god-like thoughts, omnipotent emotions, feelings beyond normal comprehension and beyond understanding.
1 Love, pure love, love that is passionate/intimate. Sadness, unbearable sorrow, sorrow for the world and others. Wishful nature, wishing for someone, wishing for others' benefactions.
2 [ʌ] Pure-hearted, kind-hearted, innocence, purity, good will, kindness, gentle disposition. Anger for the innocent, wanting to avenge the innocent that have been accused, to retaliate against evil and corruption. Deep in mind, engulfed and deep within the spiritual levels of existence, in the 6th Axis.
3 [ε] Selflessness, wanting to commit self-sacrifice for the sake of others. Joy for own self, one's own joy. Joy in the happiness and blessing of others, happiness resulting from other people's happiness.
4 Despair, hopelessness, despair at the world and society, despair from traumatic memories. Shame, disappointment. Concentration, focus, so deep in focus that all sense of reality is (temporarily) disconnected.
5 [ɔːr] sadness, misery, sadness for the world, grief for the universe, grief for all society and existences. insanity, society's monster, the consequences of mankind's evil and darkness. longing, a sense of longing, nostalgia, wanting to be reunited with something/someone.
6 Self-loathing, self-hatred for being useless, low esteem. resolution, acceptance of one's own fate, resigned acceptance. Guilt, remorse, wanting to atone for own self, wanting to change for the better, desire to atone for own sins.
7 [oʊ] Release of emotions, relief from tension and stress. Self-preservation instinct, natural instincts of survival.
9 Righteous anger, justice, righteousness, protecting universal order.
21 Knowledge, wisdom, the power of enlightenment. Hope, faith in the light, faith in justice and sanctity. Acceptance of death, acceptance of sacrificing oneself to ensure positive results.
34 [aʊ] Suicide, depression, wanting to die, unable to endure further trauma, suffering of mental trauma and persecution.

Concept Sounds (CS)[]

Concepts Sounds are a special case of Vowel Letters used in Status Verbs (S.V.) to modify the verb. Every S.V. has four letters and four banks for the Concept Sounds. This concept was derived from Clusternia Note, and the creator decided to use only vowels, since consonants would cause difficult pronunciation. This would give the Note a faster singing/pronunciation speed rate, reducing the time taken to pronounce each word.

CS I: Performer CS II: Time CS III: Knowledge CS IV: State/Target
  • A- I/me
  • EA- She
  • E- Object
  • EI- He
  • I- You
  • IA- God/deity
  • IE- Subject
  • IU- Concept
  • O- 3rd POV
  • U- We/us
  • (blank)- Present
  • A- Future
  • AI- Conditional
  • E- Hypothetical
  • I- Imperative
  • IA- Passive
  • N- Continuous
  • O- Request
  • U- Past
  • UA- Desirative
  • A- As far as I know
  • AU- Always have
  • E- Unsure
  • I- Told by god
  • II- Sure
  • IO- Never have before
  • N- rumour (positive)
  • O- told by someone
  • U- rumour (negative)
  • (blank)- Normal
  • A- Subject
  • I- Reflexive
  • N- Everyone
  • O- Negation
  • U- You
  • UI- The world

Status Verbs consist of 4 banks, each bank having its own set of letters with their own function and meaning.

  • (1st Bank): The first bank refers to the performer of the action. If the action becomes passive or reflexive, then the performer becomes the target of the verb.
  • (2nd Bank): This refers to the time tense, indicating what time period the action is performed in, whether in the past, present or future.
  • (3rd Bank): This refers to the performer's awareness of the action she or he is performing, and whether it is being done imperatively or voluntarily.
  • (4th Bank): This refers to the target of the verb. If the action is passive, then the target will become the performer of the action, with the 1st bank becoming the target of the verb.


The language's pronouns exist in the form of unspecified state, meaning that there is no indication of whether the pronoun is subjective or objective. Instead, its pronouns carry structure and function akin to Japanese.

1st POV 2nd POV 3rd POV Female 3rd POV Male 3rd POV Neutral
I / me we / us (Single) you (Plural) you she / her they / them he / his they / them It them / they
Informal ian ianta vos vosa mia misa kua kura fe fel
Formal sian sianta evos evosa emia emisa okua okura sfe sfel
Love lesi lesir lier lieris silia siliarda dorel doreliam dufe dufere
Hatred zerir zerilo zulu zuluot zude zudeki zudo zudoki zudu zuduku

The Informal Case Pronouns are the most commonly used type of pronouns in the Xitheria Note. As the name implies, it is usually casual, regarding the implied subject. They can be considered the language's 'plain' form of pronouns, which are used only between those with a bond of friendship and trust, a factor that remains highly evident in homes and such.


The Formal Case Pronouns are used usually by people who have or wish to display a formal manner/disposition towards a certain subject. It usually holds connotations of arrogance, views of superiority (over a subject/person) or holding views of inferiority towards the implied subject. They have a controlling effect in Spell Songs. This could be considered the 'polite' form of pronouns, used between strangers in everyday life.


These Pronouns hold connotations of love, security and such feelings. They have a passive effect, which is mainly healing, support or defence, in Spell Songs. The Love Pronouns can be considered almost like the Informal Pronouns, but with a higher sense and meaning of care and love. Lovers would preferably use this.


A list of pronouns that hold connotations of hatred, anger and such. They can be considered rude and highly cruel.


Since Xitheria is technically created in the form and appearance of a programming-and-environment-friendly dialect, its usage also consists of programming symbols and such.

Symbol Reading Function Symbol Reading Function
() N/A Indicates the sentence/word is a quote/said. [] N/A Used stating a number of objects like a list.
{} N/A Word Bank for Target of sentence. Also used when introducing additional subject. /: N/A (Full stop)
// N/A [Sentence Line Separator] (Used for paragraphs) ^ lat (Subject Definer)
& en ...and.. (it's used only within the "[]" banks, and is also equivalent to the English comma) * die (Source Marker)
@ jel (Destination Marker) Is placed as a prefix with a word to indicate it as a destination or intended place. # tem (Tool Marker)
$ sec (Cause Marker) Is placed as a prefix with a word to indicate it as a source or factor of cause. % phie (Location Marker)
Xc= eks-see Indicates an emotion state in every sentence so that it doesn't have to be repeated vocally in each sentence/line. Allows current and new emotion states to merge, and is ended with "=Sl". =Sl Es-el Indicates the end of voicelessly repeated emotion state defined by "Xc=".

Forms of Grammar Cases[]

Case Function Sound
->{xxx} (Direct Object Marker) (xxx is the target) ra {xxx}
[A]-ara-[B] [A] and [B] [A] ara [B]
[A] => [B] [A] and then [B] [A] tab [B]
[A] <- [B] [A] like/in comparison to [B] [A] repa [B]
[A] <= [B] [A] but then that would mean [B] [A] retab [B]
[A] >> [B] [A] through/via [B] [A] tras [B]
[A] <=> [B] [A] or [B] (used to express options and choices) [A] reku [B]
[A] <-x [B] [B] leads to [A] as a result [A] (s)pag [B]
[A] =#= [B] [A] but [B] [A] flip [B]
[A] << [B] [B] from [A] [A] retras [B]
[A] -=> [A] using [B] [A] dile [B]

Adjectives and Adverbs[]

As always, adjectives come before the noun, while adverbs before the verb.

Ownership Cases[]

Like all dialects, Xitheria also uses ownership cases to indicate possession. Xitheria ownership can came in 3 forms.

The first form uses underlines ("_") which are pronounced as "e". The object/noun is placed behind the underline, with the owner in front of it. Let's use the words 'hymete' (song) and 'ian' (I, me) as examples for this part.

E.g. hymete_ian (song) (of) (I, me) = (my song)

However, the underline's use isn't just limited to ownership. It can also be used to form new words by combining two other words. Let's use the 'hymete' again, but instead of 'ian', we'll use 'solit' (sadness) for now for this example. Let's try combining the 2 words using the underline.

E.g. hymete_solit (song) (of) (sorrow) = (elegy)

The 2nd form of ownership is by simply placing the 'owner' after or before the object. This is rarely used, since it can cause confusion to whether the object is 'owned' or not since the second form has no word or way of truthfully indicating ownership. This form, however, can have random and various interpretations, depending on the singer's perspective. E.g. ian hymete / hymete ian (both still have the same meaning of "my song", regardless of position, though this is one of the mere interpretations of this example.)

Another option of distinguishing/marking/indicating ownership to use if the second form used would be using the 3rd form. The third form uses concepts borrowed from the Concept Sounds to indicate possession. It consists of prefixing capital letters to the start/back of the object to indicate possession, but the attachments are separated from the object with '-'. The attachments consist of vowels including 'N'.

A- (my, I, me, mine, 1st POV) indicates first person ownership.
AE- ([animate] subject, 3rd POV) indicates the subject (defined in the current/previous sentence) is the owner.
E- (you, yours, your, 2nd POV) indicates second person ownership.
EI- (they, them, their, theirs, plural 3rd POV [indifferent])
I- (she, her, feminine 3rd POV)
N- (we, us, our, ours, plural 1st POV)
O- (he, him, his, masculine 3rd POV)
U- (it, this, that, 3rd POV [indifferent])

E.g. Aamie (My love) [A + amie = (I, me) + love]

AEfes ([Subject Name]'s joy) [AE + fes = (3rd Subject POV) + (joy, happiness)]

Attachments: Suffixes and Prefixes[]

Word Modifications[]

Word Modifications are suffixes that come in 3 forms: Adjective, Adverb and Noun. They can modify the word into the indicated status implied. They, however, cannot be applied to Status Verbs.

E.g. solit (sorrow) + -ae (adjective modifier) = solitae (sad, miserable)
E.g. fes (happiness, joy) + -et (adverb modifier) = feset (happily)

Suffix Type For words ending with a vowel For words ending with a consonant
Adjective Modification -re -ae
Adverb Modification -se -et
Noun Modification -le -ye


Articles provide specification to the status of importance of the object or subject with one attached to it. These come in the forms of "the", "an" and "a". They are an optional case in sentences. They assist with the identification of not only the importance of an object/subject, but also sometimes in also with the identification of the plural form of it.

Prefix Type For words starting with a vowel For words starting with a consonant
Singular Definite Article ar'- de'-
Singular Indefinite Article al'- me'-
Plural Definite Article el- ple-
Plural Indefinite Article id- sio-

Value of Amount[]

The 'Value of Amount' Suffixes are suffixes that specify the uniqueness and quality of the object/subject.

Mode For words that end in vowels For words that end in consonants
(Normal Plural Form) -rena -ier
One of the many -ris -epir
only, rare, one-of-a-kind -de -edse
numerous, infinite -dij -ety

Line Separation[]

   } hAyAmnA v hymete_vhisharia ->{vosa}//
(In a state of deep meditation, I sing to you with the song of love)


Symbol Name/Sound Function Symbol Name/Sound Function
[A] -> [B] [A] ra [B] [A] to [B] [A] >> [B] trass Use [A] through [B]
=> tab [A] is the command for [B] << retrass
[A] ++> [B] [A] rejes [B] Install [A] into [B] Xc= eks-see
[A] <=> [B] [A] ruri [B] switch [A] and [B] =X= [A] flip [B]
[A] <+x [B] Uninstall [A] from [B] <->
[A] <= [B] retab [A] within [B] <-x (s)pag
<- <-x->
<-= =-> [A] regarding [B] ([B] is equivalent to a subject definer stated)
<=- -=>
<=# [A] #=> [B] set [B] to levels [A]
<=#=> <-#
<-#-> #-> [A] through the use of [B]
<> [A] >[xxx]#[yy]=> [B] [A] neuro [xxx] trans [yy] exec [B] Input the code [A] into unit/subject [B] using [xxx] via [yy].
[A] ##[B]> [C] [A] proto [B] enter [C] Set the main function and purpose within [C] as [A] via [B]. <##
<#> -=-
=-= [A] ordus [B] Regulate energy flow between [A] and [B] <-=->
<=-=> -#= Enhance [A] before sending it to [B]
=#- S:ADDR Es-Address Term used for Soulspace Address.
HQR_CELL Heich-Kyu-Ar Cell Term (Acronym) used for HQR-Cellophane. ADDR Address Term used for Address Designation.
ID Ai-Dee Term used for Identification Code


(None) Used for Codes, mostly with ID, ADDR, S:ADDR and location designation.
chi:mod b/[xxxxx]n Chee mode bee [xxxxx] en Change Mode (xxxxx is shown as numbers) SH_AFUMELIA Es-Heich Afumelia Name of the SH Server of Ethesecta.

Repolum Protocol[]

EXEC::(REPOLUM=P)-> 1x10 {
   }{name of Server connected to}->{name of object/singer(s) being transported}
      }>> ADDR::0x{location} => ADDR::1x{destination code}
         }<-x{HRC of singer}>>DIR->{RW}

The Repolum Protocol is a Protocol Form used mainly for inputting coordinates and enabling safe and accurate warp travel.

Revilum Protocol[]

XP::{REVILUM=P}=>{energy type}=>REDIR++>//
   // energy source =#> energy destination //
      //<< ADDR::[destination coordinates] >> HRC of singer => //
         //SET.CODE_Proto 3##100> CD::3x1010010_185229122113/:

Solaris Protocol[]

EXEC::{SOLARIS=P}=>4x1100101_191512118919 //
   //-> song server name >> Singer HRC //
      //<-{song name}_++> INITIA.ATK::MD Proto. >420101#93=>
         //=>CLS.Define <<{SCH:AIM:SHT_=>{target name}>>{target coordinates}//
//#=>CLS >>{energy type}/:

Inicoris Protocol[]

The Inicoris Protocol is a protocol sentence form used optionally in songs as a way of enhancing and defining the song's power and functions more clearly and sharply, giving the song a much more accurate and powerful edge and level of intensity, but it also comes with the fact that by using this protocol in the song, the singer will feel a large drain of energy. The more targets, energy sources, or commands in the song, the more energy is taken and used to perform the song's power and functions.

hhh zzz:AAA-BBB_CCC.EEE//YYY_XXX::TD_ID::yyyyyy >> nnnnnn_//uuuuuu_/

1st Stage: Energy Flow (hhh)[]

  • (#=>)- Most basic and simplest of all Flow Statements. Merely states "singer -> target".
  • (#>>)- Allows the singer's energy to enter and pilfer/alter target's mind, program or data.
  • (#++>)- Executes command in vicinity briefly before returning back to singer as energy.

2nd Stage: Emotion (zzz)[]

In the 2nd Stage, it is easy to form the Emotion Statement. You can either use the Arlesong Emotion Sounds or the Xitheria Emotion Sounds.

3rd Stage: Song State (AAA)[]

This stage describes how the song was crafted, and how its power will be channel and used.

Symbol IPA Meaning
DHL created by another person, feelings not from the singer, but from another person.
HM/r feelings coming from the inner depths of the singer's Animasphere.
JNG feelings relayed by a Cosmocrystal/Cosmophase.
MNF feelings coming from the outer, visible layers of the Animasphere of the singer.
NSZ feelings of Hymn Crystal that is already created and stored in Database.

4th Stage: Song Server/Energy Source (BBB)[]

If the Song is from a Song Server, that all that has to be done is place the Server's name into there. However, if it is not from the Servers, then it must be described how, where and what it is. Usually you can choose which server to draw power from, but it mostly depends on which server you are connected to.

5th, 6th and 7th Stage (CCC, EEE and YYY)[]

The 5th, 6th and 7th Stages are easy enough. The 5th only requires the full name of the song. The 6th Stage is the same as the former if the target has a name; if not, then use words either from the Xitheria, Clusternia or Arlesong Notes. The same applies to the 7th Stage, which is basically a command. English commands can be used, but that reduces the song's power a fair level. Therefore, it is best advised to use words from the mentioned for good results. Also, the more commands inputted, the more energy is used.

8th Stage: Special Concepts (adverbs) in the song (XXX)[]

Letter Meaning Letter Meaning
b o power of evil, evil will, murderous intentions
d q brute force, harsh strength
e power of kindness/purity, empathy r
f s natural forces, power of nature, balance
h holy force/strength, God's will, justice u the might of boundless power, inexistent boundaries
j the force of collective minds, bonds of unified wills w
k x wisdom, enlightenment, spiritualism, psyche
l vitality, healing forces, the sources of all lives. y
m z cold presence, death, eternal slumber

9th Stage (T:D)[]

Effect Movement (T)[]
Number Function Number Function
0 (Instantaneous Totality) Effect materializes instantly over maximum radius singer can bear. 1 (Inside -> Outside)
2 (Outside -> Inside) 3 (Whole Area)
4 (Isolated Points) 5 (Chained Points)
6 (Axis Spiral) 7 (Uni-Path)
8 (Vicinity) 9 (Executional Echo) Specified Execution Points, where the energy follows a gradual "Inside -> Outside" energy flow.

10th Stage: Identification Code (yyyyyy)[]

11th Stage: Name of Singer (nnnnnn)[]

12th Stage (uuuuuu)[]

The final stage is optional, and is where the song's special effects and value of power can be stated within the song. English can be used, but this language's own words are more preferred.

Energy Sources[]

Energy sources are usually depicted in sentences and statements, but can also be excluded from the sentence if the sentence itself doesn't invoke/require any energy. They are used well in succession with the 'CLS' command, but can also be used for others.

Energy Sources[]

Note: The ones in secondary brackets within first brackets are vowels that are only omitted if the Command Level chosen doesn't start with a vowel.

Name Energy Symbol Formula Used
D-Wave Space/Matter DW D(----)W (D_W -> D[o]_Wa)
Em-Wave Elemental EmW Em(----)YU (Em -> Em[i])
H-Wave Spiritual/Mental HW H(----)YA (H -> H[e])
Hz-Wave Emotion HzW Hz(----)RA (Hz_RA -> Hez[a]_Ra)
K-Wave Time KW K(----)EL (K -> K[a])
L-Wave Movement LW L(----)HIA (L -> L[e])
N-Wave Antimatter/Destruction NW N(----)ZN (N_ZN -> N[a]_Zun)
P-Wave Life PW P(----)YL (P_YL -> P[a]_Yel)
R-Wave Space-Time RW R(----)LZ (R_LZ -> R[u]_Laz)
S-Wave Reality SW S(----)WL (S_WL -> S[a]_Wul)
Tz-Wave Solar TzW Tz(----)YA (Tz -> Taz[e])
U-Wave Resonance/Union UW U(----)KHA
Vx-Wave Mana/Magic VxW Vx(----)E (Vx -> Vix[a])
Z-Wave Concept/Law ZW Z(----)T (Z -> Z[e])

Levels of Command[]

Now, let's go on to the second level. You have noticed the "(---)" part between the letter behind them and the small letter after them in the Energy Sources chart, yes? That part is a bank where you would put the level of the action. That is to say, what type of action and effect the energy will have depending on the number you place in the bank. For example:

{Hz155URA} (hez-aria-ra) (I input the HzW Formula and the Command with the Superscript Code 155U! I enter the Command: TELEPATHY/CONNECTION!)

The formula now says that Hz-Waves are being used for the song's energy, and the superscript part, "155U". HzW in "155U" falls in the command category of "Telepathy/Connection". To put it in simple words, HzW is being used to invoke Telepathy/Connection.

(x)155U(X) (x)202W(X) (x)208H(X) (x)615L(X) (x)745R(X)
Reading -aria- -sios- -aista- -xiphe- -cilo-
DW Space Alternation Transmutation Materialization
EmW Earth Water Fire Air Spirit/Aether
HW Connection Disruption Manifestation Transmigration Collectivity
HzW Synchronization Psyche, Mind
KW Restriction Time Possibilities
LW Movement Teleportation Alternation Air Dimension Travel
NW Offense Nullification Disintegration Destruction Death
PW Restoration Transmigration Metamorphosis Resurrection Creation of Life
RW Teleportation Space Disruption Time
SW Illusion Materialization Insanity, Nightmare Subconscious Space,
TzW Light, Photon Fire Aether Restoration Judgement
UW Synchronization Enhancement Collectivity
VxW Offense Defence Enchantment Restoration
ZW Space Time Possibilities Collectivity Multiverse


Normal Forms
Number Reading Number Reading Number Reading
0 nul 1 uni 2 dua
3 tris 4 quas 5 quin
6 seli 7 septo 8 octo
9 nove 10 dece 100 cent
1000 etode 10000 tumil 100000 milha
1000000 decil 10000000 torilis 100000000 enepiri
Suffix Form
1 um- 2 dfa- 3 tiga-
4 fie- 5 fij- 6 zes-
7 tuju- 8 oli- 9 tise-
Prefix Form
10 -dese 100 -ston 1000 -hilja
10000 -bag 100000 -beri 1000000 -mir
10000000 -demi 100000000 -tremi

As you have noticed in the chart above, the numerals have 2 forms: prefix or suffix.

141518131- enepiri fiedemi decil fijberi tumil olihilja cent tigadese uni
1821- etode oliston dfadese uni
12965- tumil dfahilja tiseston zesdese quin
16- dece seli
1302- etode tigaston dua
201514- dfaberi etode fijston dece quas
161856924- enepiri zesdemi decil oliberi fijbag zeshilja tiseston dfadese quas


Songs that use the Xitheria Note Dialect are called EXIMs. The basic structure of those songs and their names would be like this:

The song's name would be written in normal form, with the starting letter as a capital. Names ends with (/.).

Extension Elements[]

Codes (mmm:)[]

Codes are an optional choice in the Song's File Title Extension, and are mostly ignored. When used, they can enhance and empower the song's functions. The Song itself has its own functions defined by the singer's emotions and thoughts, but using the Codes can increase that function's capability, like an upgrade, or tempering a weapon to increase and enhance its quality.

Name File No. 1st Form 2nd Form 3rd Form Categorization
3240ii Null.3240 Ѫ ψ Songs that utilize the (entirety or a part of a) program or system.
AR2700 A.2700 Д ω Battle-Support Spell Song, enhances battle status.
EG:RX E.5796 Ю ϰ K-Wave [Time]
ELMA E.5341 Θ ᶿ θ Hz-Wave & H-Wave [Spiritual/Emotional/Psyche]
FX300 F.300 A α Battle-Class Spell Song, Offense Type Program.
FX350 F.350 Ɣ ˠ ϐ D-Wave [Space/Matter]
FX400 F.400 Δ ϱ Em-Wave [Elemental]
G⁶PDH G6748 Songs that invoke a 7th Axis [Multiverse] Shift.
K:VSR K.24209 ʘ δ P-Wave [Bio-Energy/Life]
LS07 L.7 Vx-Wave [Mana/Magic]
LS5600 L.5600 Џ ˽ Saboteur-Class Spell Song, inflicts ailments on targets and affects target condition and battle status negatively.
LS59 L.59 Ѧ ϑ Tz-Wave [Aether/Quintessence/Solar/Light]
Nx1000 N.1000 Ϣ R-Wave [Space-Time]
D/R/X D496 Ш Songs that invoke a 6th Axis [Collectivity] Shift.
RAM R.914 Z-Wave [Universal/Law]
SMF:X X.20466 U-Wave [Resonance/Union]
X:Vi X.649 N-Wave [Antimatter/Destruction]
YAR Y.719 Ϡ ђ Healing-Class Spell Song, removes status ailments, healing program.
ZR320 Z.320 S-Wave [Reality/Illusion]


Third Extension (Xy): Authority Type[]

y (Superscript Form) α Senator of Soleia Alpha-6D-Ciel_RuDia
β Alisteria Administrator Nostel Alisteria
γ Aurum Zeta Administrator Senator of Lunis
δ Kapa Dilete Administrator
ε Nostel Administrator Myridia Dialjess Augusta Ciela Prathmor
ζ Master Registar Administrator Hartonhyke Ethesecta Genom Kiala Revm Administrator
η Crescent Chronicle Administrator Quon Desila Aurum Zeta Kiala Revm
Theta Seirei Seirei Administrator Sol Marta Ethesecta Administrator
Iota Quon Desila Administrator
Kappa Ar Tonelico Rootron Administrator Yulerian Administrator
λ Ar Tonelico Administrator
μ Cor Varda Administrator
ξ Valisine Technoliarsha Cor Varda Rhaska Administrator
π Augusta Ciela Administrator Technoliarsha Administrator Soreil
ρ Zelver Falia Administrator Zelver Falia Rhaska
Tau Rootron Sol Marta Administrator
ϕ Pantha Rhei Dialjer Patra Pauwel Administrator Kapa Dilete
χ Infel Phira Administrator Hartonhyke Administrator
Psi Soreil Administrator
Omega Yulerian Public Domain Pantha Rhei Administrator

(VVV): Validation (Code)Name[]

This extension requires the name of the singer's validation. This element can be found only in Hymmno-Soliets. For example, if a singer's validation code is "Celonul", then "Celonul" would be placed in the extension socket.


This part of the Extension defines the singer's biological class and the server he or she is connected to. This factor would most commonly be found within Xitheria Note Type Hymmno-Soliets.

Ar Tonelico Augusta Ciela Aurum Zeta Cor Varda Ethesecta Kapa Dilete Kiala Revm Master Registar Nostel Pantha Rhei Patra Pauwel Public Domain Quon Desila Rhaska Rootron Seirei Sol Marta Soreil Technoliarsha Yulerian Zelver Falia
α Ciela A2 12965H Z26 S2 C3
β Sekel 9S 2B 19S X2 P53
γ H2 24X D1276
δ K9 145F 145D A1
ε 2E 21B 125D 145B D12764
ζ 2D 130D 105B A68
η A743 105D 231B
θ Viola 6O D1243 ₁30B P73
κ 21O 1D 100D P53
λ H8 130W ₁05S H1
μ C1 ₁45S E2
ξ 3D ₁25S A6
π Vala 4D ₁45D O2
σ K2 P666
φ D2 F7200
χ ₁00S F5000
ψ ₁05F T808
ω Cie B2 V2
Genom Z2 L2


Name Class and Feelings Name Class and Feelings
Aphaliox Feelings of love, kindness, innocent and pure-hearted feelings, sincerity. Soluna Feelings of anger, rage, hatred.
Umbraer Feelings of insanity, despair, violence, bloodlust. Chromni Feelings of despair, sadness.
Hymilie Feelings of empathy, sincerity, empathy, wanting to connect. Tempyk Feelings of nature, feelings of peace, harmony, order and balance and tranquillity.
Ashurel Feelings of courage, wanting to do something for someone, to protect something/someone precious. Kapirum Feelings of omnipotence.

Final Extension (FFF)[]

The Final Extension, which is located and represented as FFF in the structure, is the Log Class Extension. This extension indicates the Logs used in the Xitheria Note, each Log represented from A to H. The letters from I to Z are Keys that represent a Log Combination, though Q is a special case, used only for Spell Songs that have merged with other Notes.

Letter Extensions
A Central Standard Log B Belezorgo Log
C Eldaria Log D Regal Automia Log
E Sol-Empelis Log F Alpha Altheumelia Log
G Grimoirius Log H Theta_ELMA Log
Letter Combination Keys
Q Word Compatibility R A-H
Y A-B-C-D-E-F-H Z* A-B-C-D-E-F-G-H

(Z*) The Z key is a high-level class Execution Key, and is difficult to use or obtain. It has theorized that it can be possible to obtain and reach this key, but is highly unlikely due to the level of compatibility between the Logs and the level of energy needed, which would probably required a large group of singers.



Belezorgo Log[]

A set of Xitheria Note words that are specifically designed to amplify negative, violent feelings such as anger or hatred. Due to this function, its words are highly aggressive and viral. It was designed and created by Altheumelia for offensive-type Spell Songs like Alphomega and Faselinya.

Central Standard Log[]

The main and most common of the Xitheria Note, they can be used in any Spell Song.

Eldaria Log[]

A set of Xitheria Note words that are specifically designed to be used for amplifying spiritual effects [Hz-Waves & H-Waves] and manifesting emotions at a powerful and accelerated level.

Grimoirius Log[]

Known to be used for infiltration of systems and networks, it is a set of viral words which can enable hacking and corruption of systems and programs in a matter of seconds. It was only used by Altheumelia in severe situations that required the functions of the Log, and has been classified by the Origin as a prohibited protocol that could only be used in situations she deemed fit to use it. Also, because of the Log's viral nature, it can prove dangerous to the singer if he/she is not able to wield it properly, consequently turning them into monstrous forms. It was created by Altheumelia in an attempt to repel the corruption created by the Hiroliok, using a strand of its DNA she obtained to create a set of words that could nullify and cancel out the corruptive effects.

Regal Automia Log[]

A set of words are designed specifically for enhancing and enabling operation and control of system protocols and programs. It is mainly designed to enable control over a program or an area of a network, enhancing processing speed and data flow rate.

Sol-Empelis Log[]

Created by Altheumelia as a set of words designed to manipulate and control Tz-Waves and Aether (Quintessence) as a way of providing advantage over necrotic elements such as necromancy and the undead, or against any malicious or negative presence.

α Altheumelia Log[]

An exclusive set of words that are used only by the Hymmnosen Altheumelia herself. Due to the Note's recent appearance, she is the only one who has complete and perfect knowledge of this set, and can utilize it perfectly. However, if a person Synchronizes with Altheumelia, then they would be able to also use this set.

θ_ELMA Log[]

Designed specifically for Altheumelia's children, the Genoms, by herself; it allows a high level of energy output if used by a Genom.


To see the list of known words in the Xitheria Note dialect, please go to Xitheria Note/Lexicon.